99.5% of programming consists of gluing together calls to library functions. All popular languages are equally good at this. So one can easily spend one's whole career operating in the intersection of popular programming languages.

But the other .5% of programming is disproportionately interesting. If you want to learn what it consists of, the weirdness of weird languages is a good clue to follow.

-
Paul Graham, http://www.paulgraham.com/weird.html

99.5% of it is very boring, and the other 0.5% is difficult enough that you need a good understanding of maths in order to do it. (I struggled a lot with maths.)
 
Take a guess what the latest hand-wringing on MFC is about. No prizes for getting it correct. 
 
(It's prices again.)
 
I say that as if I haven't been affected by crazy prices recently. My shipment of Gekisou ver. Yuki, a small and standard 1/8 scale, got hit with a shipping charge that was 2/3 the cost of the figure itself. (6000jpy for the figure, 4000jpy for EMS). It was honestly painful to look at, and it made me realise shipping figures individually is an awful idea right now. Either I'll buy them locally or wait to create big hauls that can be sent via surface, spreading the cost of shipping between multiple figures.
 
Onto the comment that caught my attention most!
 
https://myfigurecollection.net/blogposts.php?mode=view&blogPostId=55267&tab=comments&page=6
 
jumpluff says:
It's a long-term trend that predates COVID, shipping issues, manufacturing issues, current continuing supply and inflation issues, etc. tho. I just feel it accelerated it. I feel like, due to various constraints and profitability, for various reasons, the figure market moved towards more premium, fancier figures (even 1/7s with elaborate bases etc., or just FuRyu slapping obscene price tags on stuff, etc.) and less trying to hit all the middle targets at once (think like Kotobukiya, who license a lot of things and put out relatively simple, respectable scales). Companies like Good Smile show increasing polarisation, spamming a lot of 'cheaper' lines while moving towards more expensive scales and Nendoroids.
 
As somebody who began collecting during the pandemic this is a very insightful comment. 
 
As far as I can tell, mass-produced scale anime figures only became a thing during the early 2000s. Before that point, garage kits were your only option. There's four things which I think formed a feedback loop that made figure prices slowly creep up:
 
1. Manufacturing methods are improved.
2. Figure quality and quantity go up.
3. Otaku take notice and start buying. 
4. Profits increase.
 
Eventually this reaches a point where the market is large enough that a significant minority exists within it who are willing to spend large amounts for luxurious figures. And if a company could make huge profits off these people... they would, right? The current price increases are just the natural consequence of that feedback loop.
 
This comment also explains why I like Kotobukiya a lot. I want my figures to be painted with care and have detailed sculpts - but I don't mind a few small errors here and there, and I'm definitely not looking to pay hundreds per figure. This puts me right in the mid range of the figure market. (Join me! Prices are great over here!)
 
I think the new equivalent of mid-range scales are premium prize figures. Some of Taito's most recent offerings are difficult to tell apart from a scale figure at first glance, while still being incredibly affordable - rarely more than $60, and often half that. I know I'm eyeing up their Shiro (https://myfigurecollection.net/item/1452801) to add to my shelf.
 
 
This is what's being discussed in the latest trending article on MFC.

The Good Smile Company's Nendoroid Problem...


https://web.archive.org/web/20220727084627/https://myfigurecollection.net/blog/55247

A lot of collectors think that as GSC has increased the number of nendoroids they produce each year, their quality control and design have deteriorated significantly. Nendoroids now release with fewer props and face plates than they used to. A significant minority of new nendoroids release with paint flaws or parts that don't slot together properly... and of course, their prices have gone up from around $30 to $60+.

Nendoroids such as the Bloomed in Japan Sakura Miku are what inspired me to start collecting in the first place. Their uniform art style meant that displaying characters from vastly different series actually looked good, the chibi proportions are really cute (and work well if you have limited display space), and the swappable/poseable parts let you create silly scenarios of the type only a 14 year old could dream up. While I don't have an interest in buying them any more, I still completely understand their appeal.

The reduction in extra parts is understandable to me, since most collectors rarely change the pose of their nendoroid once it's on display. (I only changed the parts and pose of my Legacy of Revoltech Rei once a month - at most - during the time I owned it.) Isaloid says:

Yeah, the number of face plates and accessories has gone down, but how often do you really change them? As long as the nendo has the most popular accessories relevant to the character I think it's fine.

Some nendoroids fail to include key facial expressions for their character, or forgo a siginificant prop, and those are definitely design issues on GSC's part. Yor's (from Spy x Family) is a great example of this, since she doesn't have her trademark assassin face. Flaws like that can absolutely make a nendoroid not worth buying. But if a character has alternative expressions that capture their personality and props which reference common scenarios they get into, I'm not going to feel so bad about fewer parts being included in the set compared to five years ago.

Secondly, with the increase in oil prices, the price of plastic has gone significantly up too. Fewer parts lets nendoroids continue to be manufactured and sold in the same price range they target even as inflation begins to eat up profit margins. Nendoroids are still relatively affordable figures, typically retailing for about 5000 - 7000JPY these days, which is a reasonable increase due to inflation - unlike the runaway price hikes for scale figures.

The rise in paint errors and loose parts, to me, is the real issue with GSC's newer nendoroids. These were rare with older nendoroids, and especially with the price increase and reduction in parts, having proper quality control is the least they could do. As LovelyIdiot says:

I feel like quality control should be more important than number of accessories and price point. If they sell me a nendoroid for 7000 yen with a set number of accessories and parts, it is up to me whether or not I choose to buy it. If I feel like its too expensive, I'll pass. But should I choose to buy it, my nendoroid should be sturdy and not fall apart at the smallest disturbance. I should be able to put it in the poses they advertise it in and I shouldn't have weird paint splotches or finger marks on it.


Thanks to the rampant inflation rates most countries are experiencing, the prices of collectible anime figures have also gone up, and that has caused a lot of collectors to be priced out of buying figures which in the past could have been affordable. My response to this has been to focus on older figures which get sold for low prices - which means I can collect without breaking the bank.

However. That approach is unacceptable for collectors who thrive on preorders, or collectors who are highly dedicated to the hobby and want to own as many things as possible no matter what the figure is. They now have to suffer through very basic figures being sold at prices that previously only the most detailed ones would command. This is something I empathise with; it sucks not to be able to get something you really want and like.

B-style bunnies - large 1/4th scale figures of popular heroines in playboy bunny costumes - are a good example of this. As cute (and/or sexy) as they are, their designs aren't exactly stunning, yet their prices have skyrocketed even more than inflation has. As MidnightFlower (link to page) points out, they shoudln't be worth this much...

"The prices are hardly justified for the figure's designs. As some people have already commented on recent bunny figures, the bodies are pretty generic with the head of a popular character slapped on. While I do enjoy B-Styles time to time, they are rarely creative."

Too many people still rush to get their preorders in for the latest bunnies as soon as FREEing announces them. Then these same people get melodramatic over the manufacturers charging $500 for one figure, buy a bunch of them anyway and cry about the destruction of their bank balance. The cycle repeats with each new announcement that gets made.

Part of being a collector is curating what your display involves. That's just as important as owning figures in the first place. Sometimes curation means giving up on a figure you like because it's just too expensive. Sadly that situation is becoming more and more common, but the best response to rising figure prices is to be more selective about what you buy. Find another form of entertainment that's cheaper, perhaps, to keep you satisfied in between figure purchases.

Here's a comment by murialita which I pretty much agree with (link to page): 

"I miss the days where if something had a stupid price, we would say "Wow, that's a stupid price, I'm not buying it." and move on with our lives without the need to write phd disertations on the topic, then order it anyway, with the full intention of cancelling it if the wind blows from a certain direction under the second full moon of the month."

I don't mind people buying hyper-expensive bunnies, but at least put your money where your mouth is. Make a conscious decision to buy one and be proud of the figure you recieve, instead of jumping on the bunny bandwagon due to FOMO and ruining your bank account without a second thought.

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